About

David Kaneda loves doing this shizzle. Currently working as creative director at Sencha.

OPEN SOURCE:
WWW.JQTOUCH.COM

THE OTHER BLOG:
WWW.WEBKITBITS.COM

Sunday, April 10th Sunday, April 10th

Bernard Barry has posted a recap of his graphic work on Facebook’s first f8 Conference, held earlier this year, with some great insight into the process. The design, messaging, and attention to detail are all magnificent — a real point of inspiration as I start similar preparation for the Sencha Conference in November. (via Jay)

(Source: 9-bits)

4:39am

Tuesday, February 16th Tuesday, February 16th

[Flash 9 is required to listen to audio.]

Testing 123

Secondline

Play count: 0

Tuesday, July 21st Tuesday, July 21st

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July 21st cont’d

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sansseriftype:

For All Seasons [iPhone] on Vimeo (via CreativeApplications.net)

Created by Nanika, it is their port of Andres Müler aka Hahakid’s 2005 piece For All Seasons released back then 2005 for the Mac and PC.

11:22pm

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11:21pm
Sanserif, looked at in detail, is admittedly capable of improvement, but there is no doubt that it is the basic form from which the typeface of the future will grow. Other individual expressive possibilities of type have nothing to do with typography.
Jan Tschichold, Die neue Typographie (via sansseriftype)

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sansseriftype:

mikemccarron:
A witty rendering of his twentieth-century Meta typeface, produced in the distinctly nineteenth-century technology of wood type. via Hoefler & Frere-Jones
sansseriftype:

mikemccarron:
A witty rendering of his twentieth-century Meta typeface, produced in the distinctly nineteenth-century technology of wood type. via Hoefler & Frere-Jones

sansseriftype:

mikemccarron:

A witty rendering of his twentieth-century Meta typeface, produced in the distinctly nineteenth-century technology of wood type. via Hoefler & Frere-Jones
11:13pm

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